Never Going Back Again L. Buckingham

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  4.77 / 5

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• Terminal Sold :

  Mar 17, 2022

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  $28.99

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Blnd2Spll, un4gvn94538, michael_c, ScratchTheUpsetter, love-vinyl-records, rudeboyheiko, hectorfchacon, Cardinals, joejags2000, _jules, Griff64, SongAndDanceMan9, Abadeen, kyle15

A1		Second Mitt News Written-Past – Lindsey Buckingham	two:42
A2		Dreams Written-By – Stevie Nicks	4:15
A3		Never Going Dorsum Once again Written-Past – Lindsey Buckingham	2:02
A4		Don't Stop Written-Past – Christine McVie	three:10
A5		Go Your Own Manner Written-By – Lindsey Buckingham	3:40
A6		Songbird Written-By – Christine McVie	3:18
B1		The Chain Written-By – C. McVie*, J. McVie*, L. Buckingham*, One thousand. Fleetwood*, S. Nicks*	4:27
B2		You Make Loving Fun Written-By – Christine McVie	iii:33
B3		I Don't Want To Know Written-By – Stevie Nicks	3:13
B4		Oh Daddy Written-By – Christine McVie	3:54
B5		Gold Dust Adult female Written-By – Stevie Nicks	5:xiii

• Bass – John McVie
• Design [Concept] – Fleetwood Mac, Herbert Worthington*
• Design [Original Album Blueprint] – Desmond Strobel
• Drums, Percussion – Mick Fleetwood
• Engineer – Ken Caillat, Richard Dashut
• Engineer [Assisted] – Cris Morris*
• Guitar, Vocals – Lindsey Buckingham
• Keyboards, Synthesizer, Vocals – Christine McVie
• Mastered Past, Lacquer Cutting Past – KPG*, SH*
• Photography By – Herbert Worthington*
• Producer – Fleetwood Mac
• Producer [With] – Ken Caillat, Richard Dashut
• Typography [Hand Lettering] – Larry Vigon
• Vocals – Stevie Nicks

Record Store Day 2011 Release

[Initial release of 3,000 pressings on standard weight vinyl but remained in print with ongoing identical pressings thereafter.]

Pressed At Pallas [Sticker]

Includes a fold out insert with album credits, lyrics and photos.

Recorded At:
Record Plant, Sausalito and Los Angeles, CA
Wally Heider Recording Studios, Hollywood, CA
Criteria Studios, Miami, FL
Davlen Recording Studio, North Hollywood, CA

Mixed At:
Sound Metropolis, Van Nuys, CA
and Tape Plant, Los Angeles, CA

"Songbird" Recorded at Zellerback Auditorium,
U.C. Berkeley, Berkeley, CA, March 3, 1976.

©2009 Reprise Records for the U.Southward. and WEA International Inc. for the globe outside the U.Southward. ℗ 1977 Warner Bros. Records Inc. Fabricated in U.Due south.A.

Publishing & Rights Guild Credits:
Tracks A1, A3, A5: © 1978 Now Sounds Music (ASCAP)
Tracks A2, B3: © 1977 Welsh Witch Music (BMI). All rights administered by Sony/ATV Music Publishing
Tracks A4, A6, B2, B4: © 1976 Careers-BMG Music Publishing, Inc. (BMI)
Track B1: © 1977 Careers-BMG Music Publishing Inc. (BMI), Now Sounds Music (ASCAP), Molly Mac Music (BMI), Rattleman Music (BMI), Welsh Witch Music (BMI). All rights on behalf of Welsh Witch Music administered by Sony/ATV Music Publishing
Track B5: © 1976, 1977 Welsh Witch Music (BMI). All rights administered by Sony/ATV Music Publishing

• Rights Society : BMI
• Rights Society : ASCAP
• Barcode (Text) : 0 9362-49793-five vii
• Barcode (String & Scanned) : 093624979357
• Other (Sticker on outer plasic bag) : i-517786(K1)
• Matrix / Runout (Side A, runout) : BSK-3010-A KPG&[email protected] -18665- -18665- 1-517786 -A 14780.ane(3)
• Matrix / Runout (Side B, runout) : BSK-3010-B KPG&[email protected] -18665- 1-517786 -B 14780.2(3)

	Title ( Format )	Label	Cat#	Land	Yr
	Rumours ( LP, Album, Stereo , Textured Sleeve)	Warner Bros. Records	WB 56 344	Frg	1977
	Rumours ( LP, Anthology )	Warner Bros. Records, Warner Bros. Records	K56344 , K 56344	Uk	1977
	Rumours ( LP, Album , Los Angeles Pressing)	Warner Bros. Records	BSK 3010	U.s.	1977
	Rumours ( LP, Anthology )	Warner Bros. Records	WB 56344	Netherlands	1977
	Rumours ( LP, Album )	Warner Bros. Records, Warner Bros. Records	56.344 , 56 344-A	France	1977

This is a not bad pressing, and I hold with most reviewers that this is probably 1 of the all-time new reissues yous will be able to purchase. But it's not perfect. While the bottom end has the perfect amount of punch, and every note of Lindsay Buckingham's plucky guitar is crystal clear, I was a little disappointed with the level of the lead vocals by and large (particularly Stevie'due south on Golden Grit Adult female), which could probably be a picayune more than front and center. However, one should not be deterred from buying this release if y'all want a clean, quiet mastering that will please the ear.

Heads up, I just learned about a Pallas copy that states "Fabricated in Canada" on the back of the cover. So I guess this means that this pressing is made in US, Germany, and Canada? Kind of seems like there should exist an entry made for each country of origin, no?

I have owned a few copies of this anthology and this is, without a incertitude, the all-time pressing. The other versions sound muffled; but here, you tin really hear the separation of the instruments and vocals. This is definitely the one to get.

I have this re-create of the album. It sounds immaculate, but I noticed that the opening of "Gold Grit Adult female" begins with a count-off before the song begins. Is that supposed to be in that location? Did I get a misprint? Are there other pressings of this album that take this? What's the deal?

Dreams is unbelievably crystal clear on this album, i was honestly shocked. Nonetheless, whatever vinyl this was made out of man… this is the most staticky I've always had a record

well once once more i am left dumbfounded, i went out and bought the pressed at pallas version with SH KPG in the deadwax, and to exist honest it is not the best pressing of rumours that i own,, yes its better than the nautilus , and better than my JPN printing from the 70sand better than a 70s Us press that i own, but i have a German and a United states pressing that smokes it, i too went out and got the 45rpm cut and information technology basically sounds the same only cut at 45rpm, i fifty-fifty played information technology on multiply turntables with different carts i got the same result,,,, its cracking by any means but it is not the all-time cut of rumours by any means.....

The sound is admittedly amazing on this pressing as others have said.

Just ane thing I dont like is the quality of press on the embrace, and liner notes. It'south quite poor resolution printing, like somebody took a polaroid photo of a jpeg file, and printed it out on a 300DPI inkjet, and so re-scanned it in. Honestly seems like a real shame given how much piece of work seems to accept been put into the mastering! I had an original 1977 AUS pressing - the embrace cardboard had a lovely textural design and the printing was crystal articulate, same with the liner notes. Just with my version the quality was horrendous - flat, muddied (and I am NO audiophile), so I replaced it with this.

Simply I suppose if you had to cull between the quality of record or the sleeve...

Later on attempting to locate a near mint original copy of this and receiving multiple scratched and bad sounding copies, I settled on this and couldn't be happier. Similar sounding to my 1977 LA pressing, nothing too distinguishable. 45 version is probably louder and slightly crisper, just I volition happily settle on this 33 version as a replacement for any beat old copy. I'll also add that a lot of stores like All-time Buy even so have this in stock for around $23.

mayoyounfat.blogspot.com

Source: https://www.discogs.com/release/2832092-Fleetwood-Mac-Rumours